Song or no song?
I’ve always wondered about the purpose of songs in Indian movies. Apart from art-house movies which has no ‘reach’, almost all the movies have songs. But why?
Here in North America (or western world, in general) there has been a vibrant pop scene since Elvis Presley (that he is said to have stolen the old R&B music and gave a white twist to it, literally, is a whole another story). This pop music has grown bigger and bigger since then, and it is more than capable of quenching the music thirst of the masses. So when a guy watches a movie, he is not expecting any ‘soundtrack of his life’. He is going to merely watch 1.5 hours of story telling. This music scene co-exists with classical music. It has a wide range from mainstream Britney Spears and Lindsey Lohan to special vertical segment like Slipknot and underground rap.
But in India (especially tamil nadu) there has never been a pop scene, as far as my knowledge. Although in movies like ‘enakul oruvan’ and some mohan movies, there has been some fictional pop music icon. For the masses, the only way to listen to the music of their taste (other than the local gaana artists) is thro’ the movies. They have neither the taste nor the money for classical music concerts (neither do I). So the movies SHOULD have songs till a vibrant pop scene emerges. The creators always go one step further and explain the same MASS factor to justify the formulae movies.
Coming back to the issue of songs, the best possible thing for a director to do is to make the songs not look glaringly inserted into the scene. They can make a ‘chichuvason’ (situation) so that the song is seamless. Directors like Mani Ratnam and Shankar do it all the time and make songs one their strengths with grand visualizations. And then there are directors who come from the Balumahendra camp (read Bala) who put songs in the movies simply out of pressure from the distributors. These guys MOSTLY (not entirely) avoid using the great big group dancers. Many of their songs have duets playing in the background and the hero and heroine walking, laughing, and do some more walking and laughing till the songs ends. I personally like songs of this genre (‘munpaniya’ from nandha, ‘raja raja cholan’ from rettai vaal kuruvi, etc). And then there are some directors whose theory is ‘one kuthu song every half hour’ regardless of the situation of the movie. Vijay starrer ‘mathura’ is a perfect example of this.
Although some interesting thriller movies like airport and kuruthi punal have come out without any songs, Indian movies should do fine with the songs, provided they are not inserted like a porn magazine in between English and tamil composition notes.



















